The death of the amateur photograph - by @fredsprinkle
Read on at: emulsive.org/featured/the-d…
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Upright Armco
Kodak ColorPlus 200
Kodak Retina 1a
#believeinfilm #filmisnotdead #shootfilmbenice #ffilmphotography #photography #kodakcolorplus200
5 Frames... With a Nikon S2 and original Fujifilm NEOPAN 100 ACROS in Downtown Calgary - by Azriel Knight
Read on at: emulsive.org/articles/5-fra…
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5 Frames… Of a triple waterfall in Luxembourg on ILFORD PHOTO HP5 PLUS (120 Format / EI 400 / Agfa Billy I 6,3) - by Olaf Lengler
Read on at: emulsive.org/articles/5-fra…
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Photoset: A proper farewell to Johan on original Fujifilm NEOPAN 100 ACROS - by Sina Farhat (nr. 40)
Read on at: emulsive.org/articles/photo…
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Everything you wanted to know about auto (thyristor) flash photography ...but were afraid to ask - by Matt Wright
Read on at: emulsive.org/articles/guide…
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Purple nights on Lomochrome Purple with the Pixels and Grain Collective - by the Pixels and Grain Photography Collective
Read on at: emulsive.org/reviews/film-r…
#shootfilmbenice , #filmphotography , #believeinfilm Lomography
5 Frames... Of the the West Australian Wheatbelt on Kodak Professional Ektar 100 and a Franka Rolfix II (120 Format / EI 100 / Schneider Kreuznach Radionar 105mm f/4.5) - by John Toohey
Read on at: emulsive.org/articles/5-fra…
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5 Frames... At an abandoned warehouse on Fujifilm Velvia 50 RVP (EI 50 / 120 format / Hasselblad 503CXi)
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My First Roll... Of self-developed black and white film (Kodak Professional T-Max 100, Nikon F2) - by James Harris
Read on at: emulsive.org/articles/my-fi…
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My first roll… Of 35mm film: Kyiv on Fujifilm Superia X-TRA 400 in a Zenit E
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Apple Blossom
Kodak ColorPlus 200
Kodak Retina 1a
#believeinfilm #filmisnotdead #shootfilmbenice #filmphotography #photography #kodakcolorplus200
A look at two uniquely different medium format Fujifilm cameras: The Fuji GA645Zi Professional and Fuji GW690III Professional - by @AnalogPhotoBug
Read on at: emulsive.org/reviews/camera…
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Managing exposure: Using Sunny 16 and the Zone System at the same time - by Tony Warren
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Wheel good
Kodak ColorPlus
Kodak Retina 1a
I couldn't resist a square crop of the wheel on the tanker.
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EMULSIVE Interview #223: I am Ellen and this is why I shoot film (mildly NSFW)
Read on at: emulsive.org/interviews/fil…
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Research: is there really a difference between real and simulated film photographs? - by Roy Fochtman
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My darkroom journey - by Keith Moss
Read on at: emulsive.org/articles/my-da…. Shot on Kodak Professional T-MAX 400 and printed on @ILFORDphoto Multigrade RC gloss.
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