Lyndsey Winship
@lyndseywinship
Dance critic at The Guardian.
My book, Being a Dancer, is out now: https://t.co/IeavVEmBvz
ID:167005850
http://www.lyndseywinship.com 15-07-2010 14:41:26
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REALLY enjoyed getting a sweat on at Fred Deakin 's Club Life Summerhall last night. Perfect Fringe show for anyone who ever found themselves, or their tribe, on the dancefloor
We must now urge Mayor of London to call in this planning application & instruct LLDC to reject. This is the light pollution caused by just the top part of the original in the Neon City of Las Vegas. Imagine what it'll be like when it's fully lit. And 50m from your bedroom window.
My interview with Fumi Kaneko for Pointe Magazine Fab pics! pointemagazine.com/fumi-kaneko/
Great to see Lyndsey Winship ‘s The Guardian article today about #parenting and #dance highlighting @PIPAinfo - we’re only days away from launching Arts Council England supported #dance mamalive which provides webinars and workshops for professional dancing parents theguardian.com/stage/2021/mar…
Really enjoyed these headspacedance pieces when I saw them live a while back - you can watch the video till Sunday. Genuine LOLs (which isn't something I say often about dance)
proteindance.co.uk/participates/h…
Thank you Lyndsey Winship for another memorable conversation 🙏Tamara Rojo: 'Despite everything, it’s a very creative moment' | Tamara Rojo | The Guardian theguardian.com/stage/2020/oct…
‘All your emotions come from your centre, from your pelvis. You know, when you cry, the first thing you do is you contract, because that’s where you feel the pain’
Thank you Lyndsey Winship for listening 💛 x
theguardian.com/stage/2020/jun…
Or Else We Are Lost premieres on our FB page on Fri 22 May at 8pm and speaks to both the frustration of enforced confinement and the necessity of dancing.
BRB Dancers: Celine Gittens & Max Maslen
Score: Dave Crowe
Choreography: Kit Holder
Editing: Dan Lowenstein
Creative: Tom Rogers
Lyndsey Winship We saw the ROH performance of Sleeping Beauty last night. Different Aurora, Sarah Lamb, but same high point: “all the audience’s energy directed to where one square inch of pointe shoe touches the stage”. Beautifully put. theguardian.com/stage/2019/nov…