Manchán Magan(@ManchanMagan) 's Twitter Profileg
Manchán Magan

@ManchanMagan

Writer @IrishTimes. Book: "32 Words for Field" https://t.co/i1BradtXAt. Podcast: "Almanac of Ireland" https://t.co/RqMeu5z0uk. TV: Crainn na hÉireann on TG4

ID:4738892417

linkhttp://www.manchan.com calendar_today07-01-2016 23:08:31

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SAIDHBHÍN
The green tops of onions.
[Dinneen’s Dictionary: saidhbhín a dhéanamh de scéal, to make a lament of a matter when too late.]

Illustration by Enagh Farrell

SAIDHBHÍN The green tops of onions. [Dinneen’s Dictionary: saidhbhín a dhéanamh de scéal, to make a lament of a matter when too late.] Illustration by Enagh Farrell
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LABAR
A big spit. A spit from a pipe-smoker.

Illustration: corrina askin

Words from the book The Lost Language of the Ballyhouras:
Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí.
Purchase from: [email protected] or An Siopa Leabhar

LABAR A big spit. A spit from a pipe-smoker. Illustration: @corrinaaskin Words from the book The Lost Language of the Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí. Purchase from: evelynfennessy@gmail.com or @ansiopaleabhar
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My article on how Indigenous groups in Canada are overcoming inter-generational trauma...
I explore the role Ireland played in the past & could play in the future.

Beating the drum for preserving the language and culture of Canada’s indigenous nations irishtimes.com/life-style/peo…

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BLONNACH
Pieces of dried broken furze. Gather up the blonnach, the brussy stuff.

Illustration: Enagh Farrell

From: The Lost Language of the Ballyhouras:
Cnuasach Focal Paddy Fennessy, ed by Evelyn Fennessy & Róisín Ní Ghairbhí.
Buy: [email protected] or An Siopa Leabhar

BLONNACH Pieces of dried broken furze. Gather up the blonnach, the brussy stuff. Illustration: Enagh Farrell From: The Lost Language of the Ballyhouras: Cnuasach Focal Paddy Fennessy, ed by Evelyn Fennessy & Róisín Ní Ghairbhí. Buy: evelynfennessy@gmail.com or @ansiopaleabhar
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TOMHAISÍN (pro. toe-sheen)
A sheet of paper made into a funnel shape. When you bought sweets the shopkeeper would make a tomhaisín to put them in.

Illustration: corrina askin

Words from The Lost Language of the Ballyhouras: Cnuasach Focal Paddy Fennessy.

TOMHAISÍN (pro. toe-sheen) A sheet of paper made into a funnel shape. When you bought sweets the shopkeeper would make a tomhaisín to put them in. Illustration: @corrinaaskin Words from The Lost Language of the Ballyhouras: Cnuasach Focal Paddy Fennessy.
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An online workshop by Animate Earth Collective with me & Angharad Wynne

11th May (4-7pm Irish/UK time) & 12th May (4 -7.15pm Irish/UK time)

Fee £65 sterling (£45 concessions)

More info at: animate-earth.org/the-everyday-o…

An online workshop by Animate Earth Collective with me & @angharadwynne 11th May (4-7pm Irish/UK time) & 12th May (4 -7.15pm Irish/UK time) Fee £65 sterling (£45 concessions) More info at: animate-earth.org/the-everyday-o…
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BABHLAI RABHLAÍ
A hoop, the babhlaí, often a wheel off an old bicycle or pram, which children rolled with either a hand or stick in the game of rabhlai- babhlai.

[O Dón dictionary: rabhlaí-babhlaí, a child's hoop.]

Íomhá: Enagh Farrell
Leabhar: An Siopa Leabhar

BABHLAI RABHLAÍ A hoop, the babhlaí, often a wheel off an old bicycle or pram, which children rolled with either a hand or stick in the game of rabhlai- babhlai. [O Dón dictionary: rabhlaí-babhlaí, a child's hoop.] Íomhá: Enagh Farrell Leabhar: @ansiopaleabhar
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SLIGIRÍN
Stony soil, especially mountain soil containing rectangular stones.
‘Jims farm isnt much good; ‘tis very sliggery. Loose small change (coins) in the pocket.
(Dinneen’s Dic: sligrín, a thin shell; often applied to coins)

Image: Clodagh Laffan

Book from: An Siopa Leabhar

SLIGIRÍN Stony soil, especially mountain soil containing rectangular stones. ‘Jims farm isnt much good; ‘tis very sliggery. Loose small change (coins) in the pocket. (Dinneen’s Dic: sligrín, a thin shell; often applied to coins) Image: Clodagh Laffan Book from: @ansiopaleabhar
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Taobhán
Cross beams, crossing from rafter to rafter in thatched houses. They were attached to the rafters by means of spikes of wood and attached to the thatch with súgáns. (These were doubled with the hand and called míoróga).

Pic: Enagh Farrell

The book at An Siopa Leabhar

Taobhán Cross beams, crossing from rafter to rafter in thatched houses. They were attached to the rafters by means of spikes of wood and attached to the thatch with súgáns. (These were doubled with the hand and called míoróga). Pic: Enagh Farrell The book at @ansiopaleabhar
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TÁTH
A fist of thatch. To tie a súgán you had to pull out a fist of hay and twist it - this was the táth.

Illustration: Clodagh Laffan

Words from the book The Lost Language of the Ballyhouras:
Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí

TÁTH A fist of thatch. To tie a súgán you had to pull out a fist of hay and twist it - this was the táth. Illustration: Clodagh Laffan Words from the book The Lost Language of the Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí
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BÁN NA BEIRITHE
A glen or ravine surrounded by ‘cumars’ in the mountain where turf cutters gathered to have tea. There was shelter from the wind and young lads would be sent there to boil the kettle.

Illustration: Enagh Farrell

Words from The Lost Language of the Ballyhouras

BÁN NA BEIRITHE A glen or ravine surrounded by ‘cumars’ in the mountain where turf cutters gathered to have tea. There was shelter from the wind and young lads would be sent there to boil the kettle. Illustration: Enagh Farrell Words from The Lost Language of the Ballyhouras
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SÚGÁN SNEACHTA
The most trivial of excuses. (literally, a rope made of snow).

Illustration: corrina askin

Words from the book The Lost Language of The Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí

SÚGÁN SNEACHTA The most trivial of excuses. (literally, a rope made of snow). Illustration: @corrinaaskin Words from the book The Lost Language of The Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy and Róisín Ní Ghairbhí
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BÁINSEOG
The area of grass at the angle of two passages in the mountain. Also a diamond or triangle of grass at a crossroads.

Image: Enagh Farrell

Words from The Lost Language of The Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy & Róisín Ní Ghairbhí

BÁINSEOG The area of grass at the angle of two passages in the mountain. Also a diamond or triangle of grass at a crossroads. Image: Enagh Farrell Words from The Lost Language of The Ballyhouras: Cnuasach Focal Paddy Fennessy, edited by Evelyn Fennessy & Róisín Ní Ghairbhí
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Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations.
For more: [email protected]

Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations. For more: maureenconcannon@gmail.com
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Manchán Magan(@ManchanMagan) 's Twitter Profile Photo

Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations.
For more: [email protected]

Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations. For more: maureenconcannon@gmail.com
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Manchán Magan(@ManchanMagan) 's Twitter Profile Photo

Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations.
For more: [email protected]

Artist Jakki Moore & writer Maureen Concannon (author of 'The Sacred Whore: Sheela Goddess of the Celts') have created a set of Sheela Cards consisting of 40 illustrations of the Divine Hag, with written interpretations. For more: maureenconcannon@gmail.com
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PÚICÍN
Blindfold, goat muzzle, supernatural covering, blinkers for cattle.

Ealaín le: Toma McCullim

This ends the series of words from 'Thirty-Two Words For Field' which have been so wonderfully illustrated by the Pota Fhocail Collective, a group of mostly West Cork artists.

PÚICÍN Blindfold, goat muzzle, supernatural covering, blinkers for cattle. Ealaín le: Toma McCullim This ends the series of words from 'Thirty-Two Words For Field' which have been so wonderfully illustrated by the Pota Fhocail Collective, a group of mostly West Cork artists.
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Join me on Monday for a free screening of Twice Colonized about Renowned Inuit advocate Aaju Peter who has led a lifelong fight for the rights of her people. A powerful exploration of personal and societal change. Book your tickets at email below.

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My first Irish event for Hagstone is April 19th at Granard Book Town, Longford (line-up also includes Patrick deWitt, Paul Lynch, Lisa McInerney, Fergal Keane, Martin Doyle Manchán Magan and more)

Tickets: eventbrite.ie/e/sinead-glees…

My first Irish event for Hagstone is April 19th at Granard Book Town, Longford (line-up also includes Patrick deWitt, @paullynchwriter, Lisa McInerney, @fergalkeane47, @MartinDoyleIT @ManchanMagan and more) Tickets: eventbrite.ie/e/sinead-glees…
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