John MacLean(@jmacleanphoto) 's Twitter Profileg
John MacLean

@jmacleanphoto

The camera is a tool for thinking. Print sales @FlowersGallery.

ID:264931147

linkhttps://linktr.ee/johnmaclean calendar_today12-03-2011 18:06:43

2,4K Tweets

1,2K Followers

363 Following

John MacLean(@jmacleanphoto) 's Twitter Profile Photo

Wait.

'Art & Fear: Observations on the Perils (and Rewards) of Artmaking'... by Bayles and Orland

is an audiobook?

Best book I've ever read on the obstacles artists put in front of themselves to avoid the pain of making new work.

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Have your photographs or artworks been used as learning material by AI?
This website will tell you:
haveibeentrained.com

Have your photographs or artworks been used as learning material by AI? This website will tell you: haveibeentrained.com
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John MacLean(@jmacleanphoto) 's Twitter Profile Photo

30.12.22. From VIEWS: my polarising, participatory photography series, which employs the Instagram Story opinion-poll-function. 180cm x 100cm, archival inkjet. turning up the Turing heat and toppling the origami crane since 2008.  jmaclean.co.uk

30.12.22. From VIEWS: my polarising, participatory photography series, which employs the Instagram Story opinion-poll-function. 180cm x 100cm, archival inkjet. #johnmaclean turning up the Turing heat and toppling the origami crane since 2008.  jmaclean.co.uk
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John MacLean(@jmacleanphoto) 's Twitter Profile Photo

‘Destiny 29.3.22’. From my polarizing participatory art project: VIEWS. I combine my high-resolution, digital photographs (using an AI filter to detect the ‘subject’) with the Instagram Story’s ‘audience poll function’ to create algorithmic snapshots of a masked zeitgeist.

‘Destiny 29.3.22’. From my polarizing participatory art project: VIEWS. I combine my high-resolution, digital photographs (using an AI filter to detect the ‘subject’) with the Instagram Story’s ‘audience poll function’ to create algorithmic snapshots of a masked zeitgeist.
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John MacLean(@jmacleanphoto) 's Twitter Profile Photo

“The war, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything – and then going into my studio to adjust a red to a blue?”

Philip Guston 1977.

“The war, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything – and then going into my studio to adjust a red to a blue?” Philip Guston 1977.
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John MacLean(@jmacleanphoto) 's Twitter Profile Photo

'When I began painting,
all my paintings were of words
which were gutteral utterances
like
Smash, Boss, Eat.
Those words were like flowers in a vase.'
Ed Ruscha.

'When I began painting, all my paintings were of words which were gutteral utterances like Smash, Boss, Eat. Those words were like flowers in a vase.' Ed Ruscha.
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VIEWS. A new project utilising Instagram’s audience poll function. Skip over to my current IG story to participate. ‘Are you the same person you were yesterday?’ clogging the culture machine and hedging the attention economy since 2008.
instagram.com/john_maclean_p…

VIEWS. A new #wip project utilising Instagram’s audience poll function. Skip over to my current IG story to participate. ‘Are you the same person you were yesterday?’ #johnmaclean clogging the culture machine and hedging the attention economy since 2008. instagram.com/john_maclean_p…
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John MacLean(@jmacleanphoto) 's Twitter Profile Photo

Great series.
BBC Radio 4

The Spark

Leading thinkers posit solutions to the structural problems of our age.

bbc.co.uk/sounds/brand/m…

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