Bowled over: Photo London’s best emerging photographers – in pictures theguardian.com/artanddesign/g…

Vincent Namatjira says ‘people don’t have to like my paintings’ after Gina Rinehart demands portrait be removed theguardian.com/australia-news…

TV tonight: the truth about the environmental impact of Coca-Cola theguardian.com/tv-and-radio/a…

Bridgerton season three review – still unbearably sexy theguardian.com/tv-and-radio/a…

Ken Bruce continues to eat into BBC’s audience at Greatest Hits Radio theguardian.com/media/article/…

Australian Ballet blasts newspaper review for describing dancers as ‘unusually thin’ theguardian.com/stage/article/…

Steen Raskopoulos: the 10 funniest things I have ever seen (on the internet) theguardian.com/stage/article/…

If review – John Krasinski’s so-so, sentimental family fantasy theguardian.com/film/article/2…

Not all culture was lost during the war | Brief letters theguardian.com/world/article/…

Stephen Colbert on Trump’s hush-money trial: ‘It’s been a real case of déjà eww’ theguardian.com/culture/articl…

Wild Diamond review – French social-realist drama fuelled by TikTok energy theguardian.com/film/article/2…

Dune: Prophecy: first trailer for female-led prequel TV series theguardian.com/tv-and-radio/a…

The Way, My Way review – a pleasurable walk on the Camino de Santiago theguardian.com/film/article/2…

‘I am gross, animal and carnal’: Luna Carmoon on her disturbing, stinky-scented new film theguardian.com/film/article/2…

The village that fell into a river: Sim Chi Yin’s best photograph theguardian.com/artanddesign/a…

Pushing Buttons: Big studios are making big cuts – but indie gems like Animal Well are still out there theguardian.com/games/article/…

Jonathan Yeo’s portrait of Charles III review – a formulaic bit of facile flattery theguardian.com/artanddesign/a…

Beyoncé’s love for the American flag raises questions for Black people theguardian.com/commentisfree/…

Steve McQueen: Bass review – ‘Like an underground shooting gallery of dub’ theguardian.com/culture/articl…

Rome, Open City review – Rossellini’s blazingly urgent masterpiece from a city in ruins theguardian.com/film/article/2…