Vanity Fair’s Awards Insider(@VFAwardsInsider) 's Twitter Profileg
Vanity Fair’s Awards Insider

@VFAwardsInsider

Your guide to the movie and TV races that make Hollywood run. Home of the ‘Little Gold Men’ podcast. All brought to you by @VanityFair.

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linkhttp://vntyfr.com/LwScGKd calendar_today03-02-2010 06:43:58

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director Jonathan Glazer the set as an “arena,” one where he and Oscar-nominated cinematographer Łukasz Żal sought to “remove the artifice and conventions' of typical filmmaking. vntyfr.com/JUgfn6N

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With , Juliette Binoche was given a rigorous cinematic lesson in slowing down—something she plans on carrying forward. vntyfr.com/GKEV4iz

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It's a thrill to see Jeffrey Wright—such a reliable journeyman character actor—take on the lead role in .

Read more from our review: vntyfr.com/TB92ney

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writer-director Emerald Fennell and cinematographer Linus Sandgren reveal the inspirations behind their movie—from vampire movies and classic paintings—but made it all “a little bit dirtier.” vntyfr.com/CE2ZbCu

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For , costume designers Jacqueline West and Julie O’Keefe enlisted the help of Osage artists for Martin Scorsese’s epic. vntyfr.com/ZZ6lgCm

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had “a million questions” in his quest for authenticity, says Leonard Bernstein’s daughter, Jamie.

She’s convinced that will have an impact—particularly for those who may only know her father for ‘West Side Story.’ vntyfr.com/U2OodhD

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Between ‘All of Us Strangers’ and ‘Foe,’ has been busy—to say nothing of ‘Gladiator 2.’

From the set in Malta, the actor unpacks the divisive reactions to his latest projects and what it feels like to wrap the biggest film of his career. vntyfr.com/VnBixCP

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director Blitz Bazawule and cinematographer Dan Laustsen break down six key shots from the film that illustrate their quietly radical approach.

🔗: vntyfr.com/XI76kHX

#TheColorPurple director Blitz Bazawule and cinematographer Dan Laustsen break down six key shots from the film that illustrate their quietly radical approach. 🔗: vntyfr.com/XI76kHX
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As screenwriter David Hemingson puts it, is “a love story between these three people who are each broken in their own way.” vntyfr.com/8zXbhHX

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writer-director Emerald Fennell and cinematographer Linus Sandgren reveal they took inspiration from vampire movies and classic paintings, but made it all “a little bit dirtier.”

Read more: vntyfr.com/EdqcsbF

#Saltburn writer-director Emerald Fennell and cinematographer Linus Sandgren reveal they took inspiration from vampire movies and classic paintings, but made it all “a little bit dirtier.” Read more: vntyfr.com/EdqcsbF
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With , Academy Award-nominated director Trần Anh Hùng wanted to make a movie about “long-lasting” marital love.

“It is something that you don’t see often in movies because it’s very subtle and delicate,” he tells VF. vntyfr.com/WEu2s29

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It took 393 vehicles, nine replicas, and some creative sound design to craft the immersive car-racing scenes from : vntyfr.com/D1RQnhj

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Erika Alexander opens up about going toe-to-toe with Jeffrey Wright in , her penchant for playing lawyers, and the state of the Black sitcom.

🔗: vntyfr.com/9Ft4MGI

Erika Alexander opens up about going toe-to-toe with Jeffrey Wright in #AmericanFiction, her penchant for playing lawyers, and the state of the Black sitcom. 🔗: vntyfr.com/9Ft4MGI
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The filmmakers behind ‘Society of the Snow’ reveal how they reimagined the real-life plane crash in ways both exacting and improvised. vntyfr.com/io6GrAj

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Three-hundred-ninety-three vehicles, nine replicas, and some creative sound design resulted in some of the most immersive car-racing scenes ever put on film.

Take a look inside the cars of Michael Mann’s : vntyfr.com/iis6a0P

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The new musical adaptation of sands down the story's edges, but it still captures the spirit of all the past iterations.

Read our full review: vntyfr.com/pra5ZZa

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The new musical adaptation of sands down the story's edges, but it still captures the spirit of all the past iterations.

Read our full review: vntyfr.com/HClxET8

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