Badger(@Bertrom) 's Twitter Profileg
Badger

@Bertrom

In a past life, I was a film teacher, photographer, theatre director and film editor. Now a psychogeographer and Jungian explorer searching for my Anima.

ID:7090242

calendar_today26-06-2007 14:34:01

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Dhruv Malhotra.

After Dark Trilogy.

“The night holds a powerful appeal for me. The silence, the palpable sense of time and the unknown draws me to photograph. The sense of disquiet and having to be constantly aware enables making photographs that otherwise would go unnoticed.”

Dhruv Malhotra. After Dark Trilogy. “The night holds a powerful appeal for me. The silence, the palpable sense of time and the unknown draws me to photograph. The sense of disquiet and having to be constantly aware enables making photographs that otherwise would go unnoticed.”
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It’s surprising how difficult western leaders find this concept of equality before the law. apple.news/AO25iqD6tRd6l2…

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The church was at the centre of establishing slavery and was probably one of the biggest benefactors. theguardian.com/world/article/…

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“In photography there are no shadows that cannot be illuminated.”
                                                                          August Sander.

“In photography there are no shadows that cannot be illuminated.”                                                                           August Sander.
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Make this the punishment election – damning the Tories for 14 years of cruelty and lies | Jonathan Freedland theguardian.com/commentisfree/…

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Stanley Kubrick worked for Look magazine when he was 17.

“Think up ideas for stories, go out and shoot them, and then send them into the magazines. I was lucky; I figured that out when I was young.'

Stanley Kubrick worked for Look magazine when he was 17. “Think up ideas for stories, go out and shoot them, and then send them into the magazines. I was lucky; I figured that out when I was young.'
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“If Starmerism is associated with anything … it is with a leader still making up his own mind.” Except in power you no longer get to do that; the Treasury and the Bank of England make up your mind for you. theguardian.com/commentisfree/…

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It is also, Jones says, quite a dark book at times, particularly when some of the images are viewed with hindsight. theguardian.com/artanddesign/a…

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Jill Freedman.

1966. Woke up one day and wanted a camera. Borrowed a friend’s, went out into the street, shot two rolls, and knew I was a photographer.

Thank f**k for that.

Jill Freedman. 1966. Woke up one day and wanted a camera. Borrowed a friend’s, went out into the street, shot two rolls, and knew I was a photographer. Thank f**k for that.
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Gena Rowlands.
A golden era of method acting.
And filmmaking to be honest.

youtube.com/watch?v=TDlUOz…

Gena Rowlands. A golden era of method acting. And filmmaking to be honest. youtube.com/watch?v=TDlUOz…
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No Country for Old Men: Josh Brolin's Unauthorized Behind the Scenes.
A piece featuring additional cast and crew interview snippets and behind-the-scenes footage. We find comments from Joel and Ethan Coen, Jones, Bardem, Graf, Brolin, Macdonald.

youtube.com/watch?v=HGh4AD…

No Country for Old Men: Josh Brolin's Unauthorized Behind the Scenes. A piece featuring additional cast and crew interview snippets and behind-the-scenes footage. We find comments from Joel and Ethan Coen, Jones, Bardem, Graf, Brolin, Macdonald. youtube.com/watch?v=HGh4AD…
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